Tobias wolff the night in question5/29/2023 Tobias Wolff’s short stories have gained him widespread acclaim with his works appearing often in The New Yorker and Esquire among other publications. These precise words depict characters tentatively seeking to redefine themselves in climactic moments of self-growth. In each case, the speaker is doing far more than consoling a person in distress. Three of Wolff’s stories close with the same two words: “I’m here.” I explore why this short sentence has such resonance in his work by drawing connections between these stories which span thirty years. I argue that Wolff shows how a focus on the present rather than on fleeting impulses or a fixation with the past can elucidate his protagonists’ lives. I argue that the perceived vulnerability of forming relationships and the complex duties of moral decision-making create a tension that forms the basis of much of Wolff’s storytelling. In many of his stories, characters are caught between a guarded sense of distance, versus an imperative to connect with those around them. Wolff depicts characters who must struggle to move away from solipsistic ideologies by seeing beyond habitual cycles of stagnated and destructive behavior. This article argues that Tobias Wolff critiques a doctrine of individualism, formed particularly in America during the Eighties, which has informed a central dynamic in his writing.
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